The latest full-length from Rhett Miller, “The Misfit,” exists in an enchanted dimension all its own. With its elegant blurring of psychedelia, dream-pop and electronic-leaning indie-rock, the Texas-bred singer-songwriter’s ninth solo effort emerged from a charmed collaboration with his Hudson Valley neighbor Sam Cohen, the sought-after producer known for his work with innovators such as Kevin Morby and Danger Mouse. And while the album often wanders into decidedly cosmic terrain, Miller grounds each track with the vulnerable songwriting and unaffected vocal presence he’s brought to his role as frontman for legendary alt-country band Old 97’s for the last three decades. The result is a body of work fully attuned to the tension of modern times, yet imbued with all the lovely delirium of a dreamscape.
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